ONE GOOD SCENE: A Next Level Workshop

THE WORKSHOP: I’m pleased to announced that the next session of my fiction-writing course, One Good Scene, has been scheduled to begin on October 15, 2020, and is now open for registration. It is an intensive 7-week online workshop that includes weekly lectures, writing assignments, peer critiques given and received, and detailed feedback from me on every assignment.

WHAT IT’S ABOUT:  One Good Scene is based on two premises.

First: that a story or novel is composed of a series of scenes strung together with narrative, the way beads are strung on a chain.

Second:  that all the skills needed to write a story or novel come into play in the composition of a single scene.

A writer who can produce one shapely, tense, fully-realized scene after another can write a publishable story. By focusing on the very achievable goal of crafting one good scene, writers hone the very skills needed to write a novel or memoir. For more details about the course, see the description on my website. Here’s some feedback from writers who’ve taken the course, including  some who’ve gone on to publish.

WHO IT’S FOR:  This workshop is open to fiction and memoir writers of all genres and levels of experience, from beginners who want to build on a solid foundation to published writers intent on honing their craft. As in all the “Next Level” workshops, my goal is to help writers reach the next level, whatever that is for each individual. I do this, in part, by keeping the classes very small, to allow for close attention to each participant.

Many of the unpublished writers who’ve taken my Next Level courses have gone on to sell their work and build writing careers; but instant publication is not something any writing teacher can promise. What I do promise is that if you do the work, you will emerge from this workshop a better writer than you came in. If that is your goal, you’ve come to the right place.

ABOUT ME: I don’t just talk the talk; I’ve walked the walk, as a writer who also worked extensively in the publishing industry. My 8 novels were published in the U.S.  by Viking, Doubleday, Morrow, Simon & Schuster, as well as publishers in England, Japan, France, Italy, Israel, Holland and other countries. I coauthored two nonfiction books that were published by Crown Books and Harcourt Brace. Before I gave it up to focus on writing, I had a successful 20-year career in publishing, first as an editor, then as head of my own literary agency.

I began teaching fiction writing at SUNY Farmingdale and Hofstra University. After initiating Hofstra’s online program with a course on self-editing, I founded my own online school, Nextlevelworkshop.com, where I work with writers come from all over the world.

My career has allowed me to see publishing from just about every angle. Now I bring all that practical expertise into the classroom, along with a strong focus on craft.

TUITION AND REGISTRATION: If you have questions or would like to enroll in the course, please email me at next.level.workshop@gmail.com. If you are interested but not quite sure, I invite you to take advantage of my special get-acquainted offer while it’s available. You can get feedback on your work and at the same gauge the likelihood that you will profit from this workshop. Tuition is $395, which include a registration fee. There is a 15% discount for returning students. Please note the money-back guarantee: if you start the course and decide that it’s not right for you, you can withdraw, and I will refund your tuition.

Please don’t send money before you hear back from me. Spots are limited, and will be filled first come first served.


Two New Courses Scheduled!

Attention Fiction Writers: Major announcement! I will be teaching not one but two online Next Level Workshops this fall and winter.

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The first will be One Good Scene, which will begin on Thursday, November 3, 2016.

There’s a story behind this course. Before I gave it up to write, I was an editor at Fawcett Books and after that, a literary agent. In those capacities, I read about a billion unpublished first novels.  In many cases, the plot idea was intriguing and original, but the writer’s skills were not yet where they needed to be. These writers had undertaken to write a whole novel before learning to write a single good scene, and the results were not pretty.  On the flip side, writers who could put together shapely, tense, fully realized scenes were generally able to produce creditable short stories and novels.

So when I started to teach writing, the first course I created was “One Good Scene,” for aspiring fiction writers who want to master and build on the essential skills of fiction-writing. It’s an intensive 7-week online workshop with weekly lectures,  writing assignments, peer critiques, and personal feedback from me on every assignment. For more info, including tuition and topics to be covered, please see the course description on my website. You can also read feedback from writers who’ve taken the course.  Fun fact: I’m so convinced of this workshop’s usefulness that I offer a money-back warranty…but I’ve never been taken up on the offer.

One Good Scene is now open for registration. Class size is strictly limited, and several spots have been filled with writers who were on a waiting list, but I have a few places open.

After that, I will offer an online Revising Fiction workshop, to begin in January 2017. Revising Fiction is a master class for writers who have completed a draft of a novel or a body of short stories and want some help in bringing it to the next level. The goal is for writers to emerge from the process, not only with a much improved manuscript, but also with tools they can apply to everything else they go on to write. I’m proud to say that quite a few novels that have gone through this process have ended up published and sitting on my bookshelf.  (Many of these are listed as credits beside the authors’ names on the website’s testimonial page.) The workshop is comprised of a series of separate edits, one per two-week session, each focusing on a different aspect of the work. Big ticket items come first: structure, pacing, conflict and characterization. We also look at theme, language and style. Every session includes a lecture and multiple discussions, the opportunity to share scenes from participants’ novels and to give and receive critiques, including my notes on every submission.

This workshop is intense and, as one participant wrote, “life-changing, or at least writing-life-changing.” Participants can log on at any time that suits them and join in ongoing discussions. The class is limited to six writers, primarily those who have already taken One Good Scene or worked with me as an editor. Applicants whose work I don’t know will be asked to submit a writing sample. You can read more about Revising Fiction here, including tuition cost and warranty.

If you are interested or have questions, please respond here in the comment section or drop me a line at next.level.workshop@gmail.com.